Showing posts with label World Archaeological Congress. Show all posts
Showing posts with label World Archaeological Congress. Show all posts

Friday, December 05, 2014

Space Archaeology: The Next Decade.

This is the abstract for the paper I gave at the annual Australian Archaeological Association conference last week in Cairns.


Space archaeology: the next decade.

When space archaeology emerged in 2003, it divided opinions. Ten years on, space archaeology is now represented in encyclopaedias and handbooks, and an impressive body of work has accumulated. NASA has produced guidelines for managing lunar heritage and there are plans to register the Apollo 11 Tranquility Base site as a national or world heritage site. Some, such as Michael Schiffer, have contextualised space archaeology within an ‘archaeology of science’, while others situate it within ‘the archaeology of the contemporary past’. In this paper I review how the directions and ideas that emerged from the first conference session at the World Archaeological Congress have developed. Despite critiques of these approaches, nationalist agendas and ‘Space Race’ narratives are still a large part of how space archaeology is framed. There is a dearth of fieldwork and analysis of material remains from terrestrial space sites, which is partially a result of few active practitioners, and security issues around military sites. Moreover, the technical knowledge needed to understand and investigate the machinery of space exploration is not a standard part of an archaeological education. Given the constraints, what are the most realistic directions for future research in this subfield? I sketch a decadal plan for space archaeology and heritage management.




Tuesday, May 27, 2014

How I became a space archaeologist Part II


For long-time readers, I'm going to take up the story where I left it in How I became a space archaeologist. As you recall, I was working in Queensland when the idea of investigating the archaeology and heritage of orbital debris came to me one night while on my verandah looking up at the stars. Later that year (2002), I finished the contract I was working on and took up a position as Senior Conservation Officer in the Heritage Branch of the Environmental Protection Agency in the Central Queensland town of Rockhampton. After work and on weekends, I'd sit at my tiny desk with a dial-up connection and surf the web to learn about space. I made tables of spacecraft and launch dates; I read histories of space programs and trawled through sites like Encyclopedia Astronautica. And I became aware, for the first time, that Australia had a rich and diverse space history of its own. I was astonished by how little I knew of events that took place during my childhood.

In these early days, despite my lack of knowledge, themes that have since become dominant in my work started to emerge. Vanguard 1 and the Woomera launch site in South Australia quickly became part of my research pantheon. As my background was Aboriginal archaeology, it was hard not to also look at how Woomera had impacted on the lives of Aboriginal people. I thought about what it was that an archaeological approach could bring to the study of space exploration, and I thought about how you would apply Burra Charter principles to stuff in space, answering the question I had first posed myself back on the verandah of my Queenslander.

December approached: the month in which the big annual Australian Archaeological Association conference took place. I think it was in Townsville that year, and I had funding from the EPA to attend. The conference was a turning point. One of my cousins, Anna Morgan, was there. She made an important introduction. She had studied archaeology at James Cook University with Professor John Campbell. In his classes, she said, he had talked about doing archaeology in space.

What an amazing coincidence! But more was to come. When I sat down with John and talked about what I wanted to do, he informed me that there was a third person who was interested in space archaeology: Beth Laura O'Leary from New Mexico State University. Suddenly I had colleagues! And John was involved in organising a session at the 5th World Archaeological Congress in Washington DC the following year. Would I like to present a paper in it? he asked me.

It seemed the timing was right. I had about five months to prepare: to make my thoughts and ideas coalesce into something concrete enough to present, and to get enough money together for an overseas trip.

And so I continued to spend my weekends at the tiny desk, reading and thinking, and also learning how to use powerpoint. I don't think I had ever used it before this; the pictures I used for my PhD presentations were on overheads and slides. Soon it seemed that one paper wasn't going to be enough to contain all that I wanted to talk about, and I sent two abstracts in. One was about general themes for space archaeology; and the other - I think, I will have to try and find it, was about orbital debris. Both abstracts were accepted.

Now a more serious issue raised its head. Already, I was struggling to access the information I needed with the current incarnation of the World Wide Web, and in the library of Central Queensland University. I was doing this in my spare time, and it wasn't easy to negotiate leave to attend conferences that weren't strictly work-related. I would be taking leave to attend the World Archaeological Congress in April 2003. When I returned, everything would be the same. Was I serious about this research? I searched my soul and decided that I had never been more serious about anything in my life. So if this was the case, I had to accept that living in Central Queensland and working at an unrelated job was not going to further my research. I was going to have to leave.

This was a tough realisation, because I loved my life at that point. Working at the EPA was great; I had excellent colleagues, and I enjoyed the pace of the public service. I loved living in the beautiful coastal town of Yeppoon. I was presenting a world music show on the local community radio station, Radio NAG, and my radio friends were a delight and joy. Every now and then I would escape to Brisbane for a touch of city life. It was all pretty excellent.

But to make my vision of space archaeology happen, I would have to quit my job, leave Yeppoon, and take a leap into the unknown.

So I did. I submitted my resignation, effective from the end of March 2003. I packed up my house and put everything into storage, keeping only one suitcase, my laptop, and some books and papers. I booked my flights to Washington. I registered for the World Archaeological Congress. I worked on the two presentations. I thought about the future endlessly, and I tried not to think about the future.

For some reason, I don't really remember why now, I had decided some media around my papers would be a good idea. One of the journalists at the University of New England (where I was an adjunct) helped me put together a media release. It seemed to strike a chord. With only a few days before I left, the phone ran hot. I think I did around seven radio interviews on my mobile in just one day while I was running around like a headless chook trying to tie up all the loose ends.

Finally all was done. Almost everything I owned was in storage, and it would be seven years before I was able to retrieve it. The house had been cleaned and inspected. I'd had my last day at work, and a farewell party in Rockhampton at my friend Marianne's house. It was time to go.



Friday, February 22, 2008

Prelude to space archaeology - WAC-6

So here it is, my WAC-6 abstract:

The archaeology of space exploration has been defined as a separate field, based on a chronological period – 1936 until the present - and a set of places, sites and artefacts associated with the contemporary era of military and globalising technologies. In this paper I want to explore the theoretical terrain of space archaeology. It could be regarded as historical archaeology, dealing with capitalist-driven colonial expansion and cross-cultural encounters; the archaeology of the contemporary past, where memory meets technology; industrial archaeology; or as an area of cultural heritage management. Other possible frameworks include cosmopolitanism and the consideration of large-scale evolutionary trajectories of the human species. Each of these approaches suggests research questions and future directions for analysing the material culture of the space age, which will assume greater importance as more nations coopt the heritage of space to support their claims to celestial resources.

Thanks to Steve for his excellent suggestion for the title! I'm still going to write a prolegomenon though, as a proper article rather than a conference paper.

A classical education occasionally has its benefits. Last week at the airport a chance encounter led to a discussion about the Mytilene debate and its implications for modern democracy.


Thursday, February 07, 2008

Arthur C. Clarke and the lingua franca of the future

Who rules the moon controls the earth, it is true, but only to some extent - as Arthur C. Clarke pointed out once, control of GEO is even more important as telecommunications determine which culture achieves hegemony through linguistic dominance.

Hegemony is such a good word and reminds me that I am thinking of calling my WAC-6 paper "Prolegomena to space archaeology" because prolegomenon is an excellent word too. I think of them in the same breath as both are Ancient Greek words that have survived in English two and bit millennia later. But would such a title sound too arcane?


Saturday, December 15, 2007

Novels before conferences: Reynolds makes wise choice

I had an email from Alastair Reynolds this morning, and he respectfully declined my invitation to attend the Nostalgia for Infinity session at WAC-6, as he will be finishing a book. So I'm disappointed, of course, but can't complain - firstly because he remembered me from previous correspondence (yay!), and because I want him to write more books as quickly as possible.


Monday, December 03, 2007

Nostalgia for Infinity: exploring the archaeology of the final frontier

This is the abstract for our session on space archaeology at the World Archaeological Congress 6, in Dublin next year from June 29th to July 4th. If you are interested in giving a paper, please email me!


Nostalgia for Infinity: exploring the archaeology of the final frontier
Session Convenors:
Alice Gorman, Beth O'Leary
Alice.Gorman@flinders.edu.au,boleary@nmsu.edu
15-20 minute papers each followed by discussion

Outer space has been called the final frontier: after the Earth's surface, the depths of the sea and the upper reaches of the atmosphere, it is the last environment that modern technology has enabled humans to explore. In the 21st century, humans stand physically upon the threshold of outer space; and yet it is a place that human cultures have always known. Since the Palaeolithic, the sun, moon and other celestial bodies have been included in the construction of cosmologies, creation stories and accounts of the moral and physical nature of the world.

The conquest of space required astronomical and engineering technologies: rockets, launch pads, tracking stations, electronics, energy sources, and life-sustaining environments. The material culture of the space age is present both on earth and in space. It is curated in museums, located in historic facilities, in orbit around numerous celestial bodies in the solar system, and on lunar and planetary surfaces. Its impacts are evident in the communities sustained by space industry and in the ubiquitous domestic satellite dishes, indicating participation in an increasingly globalised economy.

As space material culture begins to be accepted as heritage, the challenge for the archaeologist is to understand how people interact with the places and objects of space, not just as the province of a scientific elite, but as part of the fabric of every day life, permeating popular culture, politics and information exchange.

We invite papers addressing any aspect of the diverse material culture of space, such as terrestrial, orbital and planetary space sites, collection policies and procedures, military and civil space programmes, space tourism, and cultural heritage management and preservation.

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The Nostalgia for Infinity is the spacecraft which plays a central role in Alastair Reynold's fiction. There's a strong connection between science fiction and archaeology; many of my colleagues follow the genre, and I guess science fiction writers and archaeologists are both in the business of imagining different worlds. I used it in the session title because (1) I think it sounds great, and (2) I wanted to invoke the paradox of the unknowable that is also familiar. And Reynolds has an archaeological theme running through his books (although if I was in the field with Dan Sylveste, the archaeologist in Revelation Space, I'd want to hit him a lot for being an arrogant bastard).

Oooh! I wonder if I could entice Reynolds to come to WAC-6? How fabulous would that be!



Wednesday, October 17, 2007

Critical Technologies: the Making of the Modern World

This is our theme for the World Archaeological Congress in Dublin next year.

Critical Technologies: the Making of the Modern World
Call for session proposals and papers

Organisers:
Dr Alice Gorman (Flinders University; Alice.Gorman@flinders.edu.au)
Dr Beth O’Leary (New Mexico State University; boleary@nmsu.edu)
Mr Wayne Cocroft (English Heritage; Wayne.Cocroft@english-heritage.org.uk)

Please direct all correspondence to Alice Gorman in the first instance.

Abstract

Everyday life in modern industrial nations has been shaped by technologies that have radically altered the nature of travel (cars, trains, aeroplanes, submarines, spacecraft), communication (telephones, television, telegraphs, radio, computers and satellites), and warfare (rockets, missiles, aeroplanes, nuclear weapons), among others. These technologies have recreated human geographies through their capacity to transcend distance and time, allowing the traffic of information and material culture across vast spaces, sometimes almost instantaneously. They are the foundation of the globalising world, and yet the material culture of globalisation is rarely examined critically from an archaeological perspective. Given WAC’s aim to redress global inequities, it is timely to focus an archaeological gaze on the technologies that support the gap between the “haves” and “have-nots” of the 21st century.

Sessions are invited to examine the sites, places and artefacts created by critical technologies, including but not limited to such topics as:

• The Cold War and nuclear confrontation
• Telecommunications
• Aerospace
• Outer space
• Robotics
• Technological landscapes
• Heritage management and conservation challenges
• Defence and warfare
• Indigenous engagement with critical technologies
• Theoretical issues in contemporary archaeology
• Capitalism and critical technologies
• The archaeology of the future

Critical technologies are not confined to the 20th century and after; we also encourage papers and session proposals that investigate 17th -19th century antecedents of modern technologies, and their impacts.


DEADLINE for session proposals is 1 November 2007
Sessions must be have organisers representing at least two different countries. Session abstracts should be no longer than 250 words, and can be submitted online at http://www.ucd.ie/wac-6/. Please also send details to Alice Gorman at Alice.Gorman@flinders.edu.au. Feel free to discuss your proposed session before submitting.