First Indian material culture on the Moon

I think this is terribly significant: the first nation-state outside the USA and former USSR has placed material on the moon. From ESA:

The Indian Space Research Organisation's lunar orbiter Chandrayaan-1 released a probe that impacted close to the lunar south pole on 14 November. Following this, the instruments on the spacecraft are being switched on to get the science observations started.

More at:

http://www.esa.int/Our_Activities/Space_Science/Chandrayaan-1_starts_observations_of_the_Moon

Venus is so bright tonight

A lovely spring evening - as the sun set, I was sitting in the garden with my good friend the geophysicist I. Moffat, drinking red wine and watching how Venus caught the light of the dying sun. Mercury, also pretty spectacular. I thought to myself: I am looking at the planetary surface where the Veneras and the Vegas (complete with their diamond and sapphire windows) are sitting on the surface letting the slow winds caress them, an erosion process that will see them still intact when the solar system is at its last gasp.

Remembering also, that as a child I was fascinated by Babylonian observations of Venus. They seemed all the more mysterious, scientific and profound because I myself could not really see the stars. I was short-sighted from early childhood, and everything in the sky looked blurry to me. I also could not understand how my father recognised species of bird (he was a Neville W. Cayley fan from way back), assuming that some people could see things in patterns of flight that I was simply not capable of. Well, all that changed when I got glasses at age 11 - I could tell a planet from a star after all! And I could tell those bloody birds apart. Perhaps the heavens were so entrancing because I could not really see them. Perhaps the allure of science was all the stronger because of blurry vision ....

But possibly I digress. Venus is so bright tonight and I imagine myself a Babylonian astronomer, observing its phases. Taking the accumulation of traditional knowledge, thinking Tiamat (or whoever it was), and arriving at plausible theories for what was happening. Those guys were way cool.

I mentioned the red wine, right?

"A Fearsome Heritage" highly commended at British Archaeological Awards

Well, we didn't win, but the book was one of two runners-up highly commended by the judges. Well done to our fabulous editors John Schofield and Wayne Cocroft. Apparently Left Coast Press are considering a paperback edition now.

Dr Space Junk - movie star.

My darling friend Jack Dwyer, president of the Newcastle Space Frontier Society, wrote to me earlier in the year:

When does the DR. ALICE GORMAN AND THE SEARCH FOR SPACE JUNK movie come out again?! You know, a trilogy in at least four parts...:

DR. ALICE GORMAN AND THE MISSING MOONROCK.

DR. ALICE GORMAN AND THE SEARCH FOR THE STOLEN SKYLAB PIECE.

DR. ALICE GORMAN AND THE COSMOS INCIDENT.

I rather fancy this idea. I am full of demands at the moment, but if I can persuade someone to build me a model of the Love Pygmy, why can't an aspiring filmmaker take this on? Score by Philip Glass, of course.

The archaeology of the Love Pygmy

Last week I did an interview on ABC radio, and Jim Traill, the producer, asked me about the Love Pygmy. There is a story behind it, needless to say, which features among other things the Andaman Islands and Madame Helena Blavatsky. But it's complicated and I can't summon the brain strength on a Sunday arvo to explain how the Love Pygmy came about.

However, thinking about this, I thought someone ought to make me a model of the Love Pygmy. Real or virtual. I have a vision in my head of what I think the Love Pygmy should look like, and there are some parameters: the Love Pygmy has its own museum inside, and is capable of very quick and fluid on-orbit manoeuvres. It is also partly inspired by spacecraft scavenging as described in Tiger Tiger by Alfred Bester (I refuse to use the US title of this work). I think there may be a 1950s/60s aesthetic to it, but this is very vague.

So, any takers?

Rocket science and top hats

Yesterday I had a most amazing experience. At a session on Victorian etiquette, organised by Dr Heather Burke for her historical archaeology class, I met Mr John Smith (pictured here with Mavis Smith). He is a specialist in Victorian culture and - worked on Blue Streak at Spadeadam, Woomera and Kourou. It seemed so incongruous to be talking rockets with an elegantly attired Victorian gentleman! Of course we barely scratched the surface at this initial meeting, and I hope to catch up with him next week to learn more of his experiences.

Graveyard orbit on the World Heritage List

Don't get too excited, I'm just thinking about it.

The graveyard orbit is located above the Geostationary ring, where most of our telecommunications satellites operate. Many of them are left with sufficient fuel at the end of their mission life to boost them into this orbit, where they are out of the way and not contributing to the debris problems in GEO.

It's not that they are now simply inert - I have seen discussions of how material in the graveyard orbit can impact on spacecraft in GEO - and let's not forget that we're talking about many-body problems here with all the instabilities of non-linear systems, so they may not always just circle up there serenely - but to all intents and purposes nothin' is going on in the graveyard orbit. It's not premium space, no-one wants it at the moment for anything except as a junkyard.

So if we were going to propose anything for world heritage listing in space, this may be a good choice: uncontroversial in terms of competition for space resources, without the nationalist interests of places like the Moon, and easy to enforce!

The WHL cannot be applied to space at the present time, but I'm working on this with the help of my graduate student Nigel and space lawyer Anthony Wicht.

The question of its significance is another I'll have to investigate.

From Earth to space and back again

Last Monday my colleague Marc Twining, Senior Geologist with Iluka Resources Ltd, spoke to my Indigenous Heritage Management class about how mining exploration and heritage intersect. Iluka principally mine heavy mineral sands (HMS). Now I've done my research, so was well aware that these minerals (like rutile and ilmenite) end up in white pigments - paint, ceramics - this is why toilet bowls are so shiny and white! - but when Marc mentioned titanium being extracted from HMS, I made an obvious connection that had escaped me before.

Titanium is a metal very important to spacecraft manufacture. Pressurant tanks are usually made from it, and the USSR Venera series, which had to withstand the high pressures and temperatures of the Venusian surface, were constructed around titanium shells.

So there is, to my mind, a lovely symmetry here. Titanium is extracted from HMS on ancient beaches far below the present surface of the Earth, made into spacecraft which enter Low Earth Orbit, and when those spacecraft re-enter the Earth's atmosphere, the titanium spheres survive and fall back to Earth. If undiscovered, they may well become buried in their turn .....

This is my terrestrial/celestial dynamical system in action, complete with taphonomy.

NASA's Handbook for Limiting Orbital Debris

This new publication is available here.

Rocket parties

Today I am writing a lecture on how open pit mines work (from a heritage management perspective). Tragically, I find this stuff really interesting - I remember, while excavating once on a Hunter Valley coal mine, one of the drillers got a bit enthusiastic about having a number of young female people around and asked us to visit his rig, quite illegal of course. I was far more interested in watching the drill bit than being chatted up, I fear!

However, there is only so much discussion of stripping ratios and NVPs that a person can take in one go, so I am distracting myself with more rocket cakes. Rocket (and satellite) cakes have become a much larger theme on this blog than I imagined was possible, but when confronted with stunning creativity, there is nothing to do but acknowledge it. So here is the rocket cake that the very creative Karen Cheng made for her son's third birthday party, and some lovely toilet-roll rockets.

A Fearsome Heritage shortlisted for British Archaeological Award

Beth O'Leary and I have an article in this about space heritage.

Left Coast Press is pleased to announce that that A Fearsome Heritage (in the WAC One World Archaeology series) has been shortlisted for the British Book Awards Best Scholarly Archaeological Book! The British Archaeological Awards are a showcase for the best in British archaeology and a central event in the archaeological calendar. Established in 1976, they have grown to encompass fourteen Awards, covering every aspect of British archaeology.

About this innovative book….

A Fearsome Heritage: Diverse Legacies of the Cold War

John Schofield and Wayne Cocroft, eds

Published March 2007, 336 pages

"A Fearsome Heritage draws on artistic responses to the Cold War, defining them as being archaeology in a broad sense. This approach is refreshing, and the individual contributions are of high quality…the boldness of the book’s approach to modern remains, as well as its willingness to discuss topics rarely looked at by archaeologists, makes reading the volume a stimulating experience. The reader gets a good picture of the diversity of interest in heritage, as well as some of the approaches adopted by heritage managers, artists and political forces. The willingness to experiment, shown by the incorporation of sound and visual arts, is both admirable and effective in terms of underlining the message that not all the tools to understand Cold War heritage can be supplied by archaeology. "

- Mads Dahl Gjefsen, Archaeological Review from Cambridge

"As a study of the "contemporary past," the volume takes a multidisciplinary perspective that joins archaeology with anthropology, art, sociology, and politics to study/critique Cold War heritage. Importantly, the work of contemporary artists in film, video, and music loom large in this lavishly illustrated volume (which includes color!) because it not only constitutes archives, documents, and artifacts, but also serves to engage with the Cold War symbolically and interpret it for us."

- B. Osborne, CHOICE Magazine

From massive nuclear test sites to the more subtle material realities of everyday life, the influence of the Cold War on modern culture has been profound and global. Fearsome Legacies unites innovative work on the interpretation and management of Cold War heritage from fields including archaeology, history, art and architecture, and cultural studies. Contributors understand material culture in its broadest sense, examining objects in outer space, domestic space, landscapes, and artistic spaces. They tackle interpretive challenges and controversies, including in museum exhibits, heritage sites, archaeological sites, and other historic and public venues. With over 150 color photos and illustrations, including a photographic essay, readers can feel the profound visual impact of this material culture.

To order, visit our website at:

https://www.routledge.com/A-Fearsome-Heritage-Diverse-Legacies-of-the-Cold-War/Schofield-Cocroft/p/book/9781598742596

ISBN: 978-1-59874-258-9 (c)

PRICE:

$79.00 U.S./Canadian, £42.99 (Cloth)

For more information, contact Caryn Berg at archaeology@LCoastPress.com

The Last Word - Dead in Space

In this week's edition of New Scientist, I discuss (very briefly) what might happen if someone died on a long haul space flight.

https://www.newscientist.com/lastword/mg19926752-900-dead-in-space/

My new career: planetary archaeologist

Just back from the Australian Space Science Conference in Canberra. After a fabulous talk by Graziella Caprarelli (UTS) about the state of planetary sciences in Australia, I have decided that I will no longer be a space archaeologist but a planetary archaeologist. This is nicely in keeping with my current research on unifying terrestrial, maritime and celestial archaeology. Planetary science is about the solar system, and is different from earth science and astronomy. So it works on all levels. (I'm imagining a T-shirt with a picture of an astronaut holding a trowel).

Crimes against relativity

Now, absurdly, I feel I have to prove to Greg Egan that I'm not bored by relativity. I offer the following slides from The gravity of archaeology, 2007, AAA/ASHA/AIMA conference.

Incandescence: is relativity just boring?

I have to write a review of Greg Egan's new book Incandescence for the Australian Book Review. While I love Greg Egan to bits (Schild's Ladder would make it into my top 20 or possibly even 10 greatest ever reads across all genres), I have to say I didn't actually like Incandescence a terrible lot. I got bored with the physics (usually Egan's strong point; it's amazing when someone can make you feel like you are perceiving the world in five dimensions just using words) and I didn't give a rat's about the characters.

So I will have to write a critical review, and then Greg Egan will read it because it's in the ABR, and then he will hate me. This is a terrible dilemma.

Archaeology in Rockets Galore

When the British Government starts building a rocket range in the Uist islands, the locals register their opposition in numerous ways, including destroying equipment and painting seagulls pink (rockets, protests, etc, just like Woomera and Kourou ....). And, of course, construction disturbs some archaeological sites:

Those who had accused the Government of a piece of hasty and ill-considered vandalism must have wished that they had kept silent when they heard of the praiseworthy assistance afforded to the Ancient Monuments Department of the Ministry of Works by the Air Ministry. As a result numerous wheelhouses dating to the Iron Age in the first centuries of the Christian Era have been excavated, and also a Viking long house of the tenth century. It is hoped that some of these may be preserved, but should necessity dictate that launching-sites for guided missiles require their destruction, archaeologists will have the gratification of knowing through photographs more about these remains of former inhabitants of the three Uists than they would otherwise have done because the requisite funds for excavation had not hitherto been available.

As a read the book was rather unentertaining, but there are lots of wonderful quotes and it picks up on many of the themes I have been writing about.

Rockets Galore

I love my students. They bring me all sorts of space things - plastic astronauts, pop-up books, science fiction magazines, records. A few days ago darling Martin gave me "Rockets Galore" by Compton Mackenzie, with the dustjacket intact. I read "Whiskey Galore" years ago, but did not know about this sequel, in which the British Government attempts to build a rocket range on some remote Scottish islands. It's fabulous. There's a German rocket scientist, Dr Hamburger, crofters turned off their land and forced to migrate (shades of the Kourou expropriations), protests, and, of course, a romance.

It was originally published in 1957, the year Sputnik 1 was launched, and 10 years after the establishment of Woomera, and was also made into a feature film. Haven't finished reading it yet but will be curious to see if they do mention Woomera ....

New directions in Australian space policy

My ever charming friend Brett Biddington has recently released a paper about Australia's space future (Biddington, Brett 2008 Skin in the Game: Australia's National Interests in Space to 2025. Kokoda Papers Number 7, Kokoda Foundation, Canberra). He says:

Since the mid-90s, the Commonwealth has pursued a highly decentralised approach to space amongst its departments and agencies. This is not considered a tenable option for the future (Biddington 2008:58).

He proposes two new organisations: a Central Policy Coordination Body, and a Satellite Design and Operations Authority. The latter might be a statutory authority, a company, or a national research facility. The former is not necessarily an agency as such, but would play the role of being Australia's voice in the space world - our lack of such a unified voice is detrimental to our credibility in this sphere at present.

The Kokatha and the Cold War

Another conference, another abstract .... Andrew Starkey and I are proposing this one for the Australian Archaeological Association Annual Conference in December.

The Kokatha and the Cold War: Indigenous and technological heritage at Woomera, South Australia.

Andrew Starkey (Kokatha) and Alice Gorman (Flinders University)

In 1947, the Woomera rocket range was established in the supposedly “empty” desert north of Port Augusta in South Australia. Over the next 60 years, Woomera was Australia’s primary Cold War site, developing missiles and launch vehicles, and participating in US and European military and space programmes. It is still an active launch site. More recently the Woomera Prohibited Area has been opened to mineral exploration, leading to an increase in cultural heritage surveys.

The desert around the Woomera village is the traditional country of the Kokatha. The Woomera Heritage Centre, recently redesigned, separates the history of space technology from both Indigenous and pastoral occupation. In this paper, we examine the intersection of military and space technology with Kokatha heritage in the Prohibited Area. We argue that in order to understand its significance, Woomera must be contextualised as part of early Cold War space enterprises, where launch sites were located in colonised lands heavily impacted by the introduction of disease, dispossession from country, and development. Woomera can be regarded as a cultural landscape created by the establishment of a technological enclave within Indigenous country, with the underlying theme, from 1947 to the present, of nuclear arms development.

Rocket cakes rock

My culinary boffin friend Kaylene sent me this wonderful rocket cake website:


http://www.vatsaas.org/rtv/misc/cakes/rocketsoncakes.aspx

All kinds of inspiring rocket cakes here. This picture is a taste: cutting the cake at the first anniversary of the Redstone Arsenal.