Australia has a new government (hurrah!), and according to a news item I caught the end of a couple of nights ago, there may be a rethink of our space policy. Basically, we don't have a coherent one ..... responsibility for all things spacey is split up between a number of different government departments, and we buy in all our space requirements, making us extremely vulnerable. The Rudd government may wish to be a little less reliant on the US. As most south east Asian nations have better space programmes than Australia, this might be a good time to do some strategic relationship-building with our near neighbours.
Friday, December 28, 2007
Saturday, December 15, 2007
I had an email from Alastair Reynolds this morning, and he respectfully declined my invitation to attend the Nostalgia for Infinity session at WAC-6, as he will be finishing a book. So I'm disappointed, of course, but can't complain - firstly because he remembered me from previous correspondence (yay!), and because I want him to write more books as quickly as possible.
Saturday, December 08, 2007
Monday, December 03, 2007
This is the abstract for our session on space archaeology at the World Archaeological Congress 6, in Dublin next year from June 29th to July 4th. If you are interested in giving a paper, please email me!
Nostalgia for Infinity: exploring the archaeology of the final frontier
Alice Gorman, Beth O'Leary
15-20 minute papers each followed by discussion
Outer space has been called the final frontier: after the Earth's surface, the depths of the sea and the upper reaches of the atmosphere, it is the last environment that modern technology has enabled humans to explore. In the 21st century, humans stand physically upon the threshold of outer space; and yet it is a place that human cultures have always known. Since the Palaeolithic, the sun, moon and other celestial bodies have been included in the construction of cosmologies, creation stories and accounts of the moral and physical nature of the world.
The conquest of space required astronomical and engineering technologies: rockets, launch pads, tracking stations, electronics, energy sources, and life-sustaining environments. The material culture of the space age is present both on earth and in space. It is curated in museums, located in historic facilities, in orbit around numerous celestial bodies in the solar system, and on lunar and planetary surfaces. Its impacts are evident in the communities sustained by space industry and in the ubiquitous domestic satellite dishes, indicating participation in an increasingly globalised economy.
As space material culture begins to be accepted as heritage, the challenge for the archaeologist is to understand how people interact with the places and objects of space, not just as the province of a scientific elite, but as part of the fabric of every day life, permeating popular culture, politics and information exchange.
We invite papers addressing any aspect of the diverse material culture of space, such as terrestrial, orbital and planetary space sites, collection policies and procedures, military and civil space programmes, space tourism, and cultural heritage management and preservation.
The Nostalgia for Infinity is the spacecraft which plays a central role in Alastair Reynold's fiction. There's a strong connection between science fiction and archaeology; many of my colleagues follow the genre, and I guess science fiction writers and archaeologists are both in the business of imagining different worlds. I used it in the session title because (1) I think it sounds great, and (2) I wanted to invoke the paradox of the unknowable that is also familiar. And Reynolds has an archaeological theme running through his books (although if I was in the field with Dan Sylveste, the archaeologist in Revelation Space, I'd want to hit him a lot for being an arrogant bastard).
Oooh! I wonder if I could entice Reynolds to come to WAC-6? How fabulous would that be!