Saturday, May 24, 2025

Pale blue dot: everyday material culture on the International Space Station

The most ordinary objects sometimes end up in extraordinary contexts. Who would have thought that the humble resealable (or snap lock/ziplock/ziploc) plastic bag was a space traveler?

Tom Marshburn, Roman Romanenko and Evgeny Tarelkin, Expedition 43. Ziplock bags filled with fruit and vegetables float in the air around them. Image credit: NASA


In this image, taken on board the International Space Station in 2012, the astronaut and cosmonauts are looking very excited. That’s because they’ve just received a rare delivery of fresh food – carrots, capsicum, grapes, and blueberries. If the photo had been taken on Earth, you might have thought they were juggling; but juggling isn’t something you can do in a microgravity environment. The food is packaged in perfectly ordinary ziplock bags, each with a blue velcro dot attached. There seems to be three sizes represented. They’re not the kind of bags archaeologists and geologists use, with the white stripes to write labels on.


The ziplock bags mark this food immediately as different, as most astronaut food is in vacuum-sealed metallic pouches. The image raises a number of questions. Are the ziplock bags as ordinary as I presume, or are they special space bags? What happens to the bags once their contents are consumed? Do they become trash, returned to Earth, or are they recycled and used in different contexts in the space station?


If the latter, we might expect that a re-used bag might start to look cloudy over time, just as they do in our own kitchens. (There is something slightly pathetic about a worn ziplock bag). So it should be possible to monitor the condition of bags throughout the space station to work out how often their contents and use have been changed. And of course we’d have to find out how many each expedition has at their disposal. Indications are that they are abundant.


A kitchen in orbit

Below you can see astronaut Sandy Magnus cooking on Expedition 18, in 2008. Ziplock bags were her mixing bowls. The seal on the bags prevented the ingredients from floating away as she combined garlic, olives and sun-dried tomatoes. Her only equipment in this improvised space kitchen – there are galley areas on the ISS but no facilities for cooking as such – was a blunt pocket knife, the bags, and duct tape to

hold the chopped ingredients down. You can also see the duct tape on one of the bags in this image.



Sandy Magnus, Expedition 18. She holds two ziplock bags filled with cooking ingredients. Image credit: NASA



To get the ingredients she needed, Sandy had to plan well in advance before she left Earth, and experiment a bit on fellow crew members to make sure her recipes and her mise-en-place worked. It was like a MasterChef challenge.


The use of the bags, usually for storage, as a mixing bowl, is an adaptation of an artefact intended for one purpose for another. Vicky Kloeris, the manager of ISS food systems during Sandy’s stint, noted that Sandy “found ways to use things beyond their original intentions”.


Perhaps these are bags recycled from the fresh food delivery. When did the practice of using the bags for cooking begin? Is this a practice initiated by the astronauts and cosmonauts themselves to add variety – and a measure of self-determination – to their restricted diet? What other options might there have been for mixing ingredients?


Cooking is an everyday activity in Earth gravity but is not a feature of orbital life. Why go to all this effort to do something that requires so much planning, with perhaps dubious results? It wasn’t about the taste or nutritional value of the food; it was more about a social concept. The feeling of home is important to people, and food is a big part of that – just as it is on Earth. As Sandy Magnus observed, “Special occasions have special food and our world revolves around eating food. Being able to have special dishes on Christmas and New Year’s made it feel more like home.”


Hang on – what was that about pocket knives? Do astronauts really use pocket knives and not some fancy sonic knife? It turns out they do. Here’s a red pocket knife lying on a galley surface, in a picture taken by Scott Kelly on Expedition 43 in 2015.




A table set for three. Galley table showing straps to secure objects, velcro tapes, foil food packets, and miscellaneous objects. Image credit: NASA



Here you also see food pouches, three pairs of scissors and small snap lock bags which look like they might have pills inside them. Note that one of the pill bags is velcroed down using the blue dot. The scissors are essential flatware for space; they are used for cutting open the outer food packaging. This seems to be a table set for three. To terrestrial eyes, it looks perhaps more like a medical clinic than a dining room.



A versatile container

It’s not all about food, thought. Ziplock bags are used for a range of purposes on the ISS, such as:

  • Space ‘barf bags’ to deal with the common problem of space sickness
  • Rubbish bags
  • Sample bags (for human medical samples I believe)
  • Growing fresh vegetables
  • To stow parts eg lids, cables during repair and maintenance of equipment
  • Scientific experiments
  • Tool kits

Here’s a gyro repair tool kit in its official, inventoried zip lock bags. Notice the specification of the restraint velcro – to keep each bag inside the kit from drifting away as it’s put to use. This is the blue dots again. Someone on Earth must have the job of sticking the dots onto everything.








This one is even flame retardant! The white velcro squares are attached in the four corners of the bag, which can then be stuck onto velcro strips on the Space Station’s surfaces. Restraining objects is one of the challenges of living in microgravity. This is how astronaut Garrett Reisman described it in 2008:


One of the things about working in zero gravity is you can’t put anything down. That’s really an issue. Just think about trying to work on your car, because when we’re doing maintenance work on the Space Station it’s kind of like working on a car. Every time you unscrew a bolt, you can’t just put it down; you have to put it into a zip lock bag, or tape it somewhere, or Velcro it to a wall. If you just let go of it, or you turn your back on it, it may be gone when you turn back around again and good luck finding it because it’s hard to find things up there. So that’s a unique challenge up there. It makes it very easy to lose stuff, and it takes a long time in the beginning until you get good at managing all the parts.


The bag is an essential mechanism for recreating a feature of the Earth gravity environment that we are so used to we don’t even remark upon it. It carves up a tiny bit of the directionless space into a sort of gravity surrogate. Who knew that this flimsy piece of polyethylene could replace the relentless pull of the Earth’s mass?


The ziplock bag has a number of ‘affordances’ that enhance its usefulness in microgravity. It’s flexible, lightweight, transparent, resusable and sealable. Now that I reflect upon it, I can see that the white-label-strip bags we archaeologists often use are not the best choice for space. The strips obscure the contents for a start. And once written on, the label is not easy to remove, reducing the bag’s recyclability.



But what does this all mean?


From the pictures, you can see that there is a variety of ziplock bags in circulation aboard the ISS. Their use ranges from very particular and prescribed, to very ad hoc and informal. A question I immediately want to ask is how easily the bags move between these categories and what the behavioural constraints around them are.


Space stations have to achieve a balance between all sorts of contradictory conditions. They have to be a home where people live, but situated inside a giant scientific laboratory with little privacy; they have to use the lack of up and down to make good use of limited space, but also make astronauts comfortable and productive; they have to use technologies designed and tested on Earth to make people function in microgravity.


The ziplock bag opens up questions about how astronauts use material culture to navigate these contradictions. They’re the kind of material culture that people tend not to notice; they’re just background environment, cheap, abundant, disposable. But here we see them playing an important role in the everyday life of the crew.


It’s for this very reason that an archaeological approach to ISS material culture might bring new insights into life in space. This is why Justin Walsh and I are looking at how astronauts create their own cultures in this remote and closed world. One day there might be a space society which cannot exchange material with Earth. Then, every artefact might be the one that makes or breaks a new planetary culture.


For more information on the Archaeology of the International Space Station, you can follow us on Twitter @ISSArchaeology, on Facebook or keep up to date on our blog. Justin St Walsh has contributed to Day of Archaeology here.



Sunflower seedling, sprouting out of a hole in the corner of the bottom edge of a ziplock bag with water in it, floating in microgravity. Grown by Don Petit. Image credit: NASA



Notes 

This essay was originally written for The Day of Archaeology in 2017. All the DoA posts are archived by the Archaeological Data Service, where you can download them as pdfs. However, I wanted to have it online where it could be easily read so I have reproduced it here. The original in-text links no longer exist. I have left them flagged in the text, however, in green, so you can see where they would have been. There are still plenty of articles online about Sandy Magnus and her microgravity cuisine, just not the ones I quoted from!


I have added more detail to the figure captions to serve as alt-text.


To cite the original article:

Gorman, A.C. 2017 Pale blue dot: everyday material culture on the International Space Station. Day of Archaeology, 28 July



Saturday, May 17, 2025

'Space blankets' and women's labour.

In previous posts, I've looked at the material culture and intangible heritage of women on the Moon. I talked about different ways we might make a feminist map of the Moon, how the first bootprints were made by overshoes made by women, and the work of women on the Apollo guidance computer

There's another critical piece of lunar technology that I want to investigate: thermal insulation blankets.

Finding forgotten women in photographs

I wrote a chapter on plastics in space for the Routledge Handbook of Archaeology and Plastics (2024). In this chapter I used the development of polyimide films coated in aluminium - the so-called space blanket - as an example of plastic use in spacecraft and space missions. Golden space blankets are used as thermal insulation on many spacecraft, and the Apollo descent modules were wrapped in them, bringing some much-needed shininess to the Moon.

I looked at the history of one of the earliest US spacecraft: the Echo balloons. These were massive inflatable balloons that acted as passive satellites. You bounced radio waves off them and back into the atmosphere to increase the distance they could travel i.e. around the curve of the Earth.

I was reading through the 1960s reports done for NASA on the practical and scientific aspects of these metallic balloons. In one report, I started to notice something in the photographs. Although they were not mentioned in the text, the photographs showed women working on the factory floor, applying aluminium coating to Mylar plastic film to create the balloon material. I was immediately on high alert. 

Three women dressed in white lab coats are smoothing a gore made
of aluminised Mylar. From Talentino 1966.

The gores you see in the photo were stitched together to make up each balloon. They were made by the US company Schjeldahl.

It's a well-known phenomenon in the history of women in science that you can often find them in photographs, even if they are not mentioned or named anywhere (I'll often find them in the footnotes). Many people have done the research to identify these forgotten women and they usually turn out to have an interesting story, or to have made a scientific contribution which received little recognition or documentation. I filed away the fact that women were involved in the manufacture of the prototype for this essential space material. However, it turned out to be more difficult to find out who they were and what they did. 

The birth of the space blanket

I've moved on to the Apollo missions because I'm interested to see if there is more to find out about women's involvement in the material culture - and thus their contribution to the heritage significance - of these sites on the Moon.

The Apollo 11 thermal blankets, on both the descent and ascent modules, were made by DuPont who had introduced the polyimide film Kapton, which turned out to be a much better core material than the Mylar used for Project Echo. The Kapton was aluminised just like the Echo balloons, but with a vapour deposition method rather than adhesive to bond the two materials together. 

I was curious if there were also women on the shop floor at DuPont, working on the Apollo space blankets. This was not as simple as I thought it might be. I looked for reports in the NASA Technical Report Server, but turned nothing up. Then I discovered that the Hagley Museum and Library had a lot of historic DuPont archives, as well as oral histories. I started searching. (Oh my god their archives, I could get lost in there).

There wasn't much. A female martial arts aficionado appears in this 1969 video, testing the strength of the Kapton for the Apollo 9 mission:


This 1970 film, from the DuPont collection at the Hagley Museum, is the opposite of showing forgotten women working for DuPont! In it, the astronaut is juxtaposed to the housewife. She's the ideal housewife fictional astronaut Tony Nelson was always trying to make Jeannie be in I Dream of Jeannie. 'Most materials in this masterpiece of man-made environment for the Moon landing [meaning the spacesuit] have been easing women's chores for years' says the narrator. You don't get to go to the Moon, lady, but hurry up and get dinner on the table!

A woman dressed in yellow fries eggs on the stove-top as a space-suit-clad astronaut approaches her. Still from a 1970 video about the Apollo 11 space suits. Image courtesy of the Hagley Museum and Library.

Oh if I started to analyse this I would need several posts so I'll leave it here without further comment. Except to say there's definitely a trope at work here, as you see in this discussion of a Space Age washing machine.

DuPont may not have been quite the equal opportunity employer, even for the menial and repetitive tasks that were meant to suit women's brains. In 1971, John C. Thomas, a Senior Patent Investigator at DuPont, wrote a letter to the CEO, Charles B. McCoy, urging him to give women more opportunities. 'I have a feeling that the 1970's may be the decade of a great push for women's rights', he wrote. McCoy replied, 'I assure you the company is giving this matter more than lip service'.

I looked through two digitised advertising booklets from 1966. Wall-to-wall men, with two exceptions: a physicist and a toxicologist, neither linked particularly to Apollo materials. And, of course, some secretaries, receptionists and librarians, and a few women demonstrating synthetic fabrics used in fashion.



From the article 'Our People', This is DuPont magazine, 1966. Image shows 8 headshots of DuPont employees including two women, a physicist and a secretary. Hagley Museum and Library, PC_fHD96519D94A5_01_1966

Maybe there just weren't any women working on the Apollo thermal insulation. I might have found more in the DuPont magazines, but I'd need to look through each issue in the relevant time frame. The next step would be to contact the Hagley Library and Museum to discuss with the archivists - perhaps a future project when I've got time, or for someone else who would like to take it up. 

I might not have found the answers I was looking for, but this was for me a very interesting excursion into materials, history and gender.


References

Talentino, J.P. 1966 Development of the fabrication and packaging technique for the Echo II satellite. NASA TMX-55764